Noted: Another striking example is the singing shawls made by the Karen people of Myanmar and northern Thailand, says Jennifer Angus, who teaches textile design at the University of Wisconsin–Madison. These woven garments, so named because they’re worn at funeral ceremonies where mourners sing around the clock for several days, sometimes have a fringe made from the shiny, iridescent elytra, or hard outer wings, of jewel beetles. Angus, who grew up in Canada, had never seen anything like it. “I really had trouble believing that it was real,” she says.
The discovery inspired Angus to start incorporating insects into her own work. Her first installation was at a storefront gallery in Toronto, where she arranged hundreds of weevils into a wallpaper-like pattern on the walls. When people walked up to take a closer look, Angus says, “literally, I saw them take a step back as they realized the wallpaper was composed of insects.” The piece created tension, she says, between what people expect when they see a pattern they associate with domestic spaces and the realization that the pattern is composed of bugs, which most people don’t like to find in their homes.